UNIVERSITY TEACHING EXPERIENCE
THT 101 . INTRODUCTION TO THEATRE (5 SECTIONS)
St. Louis Community College . Meramec,
St. Louis, MO 2001-2002
DRAMA 234 . INTRODUCTION TO CONTEMPORARY DRAMATIC LITERATURE
Washington University, St. Louis, MO 2001
DRAMA 365C . THEATRE CULTURE STUDIES III: MELODRAMA
TO MODERNISM Washington University, St. Louis, MO 1999
COMP LIT 2171 . INTRODUCTION TO COMPARATIVE PRACTICE
III: GHOSTS, GOBLINS, AND ANGELS: THE SUPERNATURAL IN LITERATURE
AND FILM Washington University, St. Louis, MO 1999
DRAMA 366C . THEATRE CULTURE STUDIES IV: MODERNISM TO
THE MILLENNIUM Washington University, St. Louis, MO
1999
COMP LIT 215C . INTRODUCTION TO COMPARATIVE PRACTICE
I: BEYOND 1984: DYSTOPIA IN LITERATURE
Washington University, St. Louis, MO 1999
DRAMA 230 - OUT OF THE CLOSET AND ONTO THE STAGE: GAY
AND LESBIAN DRAMA Washington University, St. Louis,
MO 1998
DRAMA 226 - CLASSIC MYTH AND MODERN THEATRE
Washington University, St. Louis, MO 1997
UNIVERSITY TEACHING ASSISTANT EXPERIENCE
DRAMA 321 . STAGING ALICE IN WONDERLAND Washington
University, St. Louis, MO 1999
CHINESE 467/COMP LIT 477/DRAMA 465 . CHINESE THEATRE
Washington University, St. Louis, MO 1998
FRESHMAN FOCUS 215 . THEATRE AS A LIVING ART: DEMONS,
DYBBUKS, AND DEVILS: THE SUPERNATURAL IN DRAMATIC LITERATURE
Washington University, St. Louis, MO 1996-1997
DRAMA 446 . METATHEATRE: THEATRE WHICH REFLECTS ITSELF
Washington University, St. Louis, MO 1996
DRAMA 336 . MODERN DRAMA II Washington University,
St. Louis, MO 1996
DRAMA 477 . NATURAL BORN KILLERS: VIOLENCE ON STAGE
AND SCREEN Washington University, St. Louis, MO 1996
DRAMA 207 . INTRODUCTION TO WORLD THEATRE I
Washington University, St. Louis, MO 1995
DRAMA 110 . FRESHMAN SEMINAR: SHAKESPEARE ON STAGE AND
SCREEN Washington University, St. Louis, MO 1995
DRAMA 360 . NEW PERFORMANCE WORKSHOP Washington
University, St. Louis, MO 1995
DRAMA 207 . INTRODUCTION TO WORLD THEATRE I
Washington University, St. Louis, MO 1995
PUBLICATIONS
.SHREW TAKES A 1950S SPIN IN MUSIC CITY, USA.
American Theatre 2003
..NOBODY SINGS ABOUT IT.: IN DEFENSE OF THE SONGS IN
CARYL CHURCHILL.S
VINEGAR TOM. New England Theatre Journal 2003
ARTS ADMINISTRATION EXPERIENCE
Founding Artistic Director (Mostly) Harmless Theatre, St. Louis,
MO 2000-2004
Board of Directors LOOP Theatre/Theatre 101, St. Louis, MO 2001-2003
Board of Directors Actors Renaissance Theatre, St. Louis, MO
1999-2000
Company Manager, GERTRUDE AND ALICE (Dir. Anne Bogart) Edison
Theatre, St. Louis, MO 1998-1999
PROFESSIONAL AFFILIATIONS
The Dramatists Guild of America Member 2004-Present
Actors. Equity Association (AEA) Member 2004-Present
Society of Stage Directors and Choreographers (SSDC) Associate
Member 2000-Present
Literary Managers and Dramaturgs of the Americas (LMDA) Full
Member 1999-Present
TRAINING AND EDUCATION
Directing Workshop . Jonathan Miller Tennessee Repertory Theatre,
Nashville, TN 2000
Viewpoints Workshop (6 weeks) . Anne Bogart Edison Theatre,
St. Louis, MO 1998-1999
Shakespeare Intensive Workshop (9 weeks) . Jane Lapotaire Washington
University, St. Louis, MO 1996
Literary/Dramaturgy Internship Alley Theatre, Houston, TX 1993
PhD in Comparative/Dramatic Literature Washington University,
St. Louis, MO In Process
MA in Dramatic Literature, Summa Cum Laude Washington University,
St. Louis, MO 1996
BA in English (Honors), Summa Cum Laude Abilene Christian University,
Abilene, TX 1993
BA in Theatre, Summa Cum Laude Abilene Christian University,
Abilene, TX 1993
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